» Another overrated but potentially good movie, come to think of it, done-in by contrived coincidental character interconnections was Babel. Though a case could be made three of the story lines did have relevant connections. Obviously the shepherd family and the Brad Pitt family are actually part of the same story. You could even make a case for story of the deaf girl in Tokyo (whose father gifted the gun to the shepherd) to be legitimately tied-in to the middle eastern story. But other than showing there can be connections between unrelated people, in environments as radically different for each other as possible, the two stories do nothing to illuminate each other by their interconnection. The problem is in the coincidence of the Mexican nanny / Brad Pitt’s kids story being as equally as violent and dramatic as the story taking place in the middle east. It just feels contrived and takes away from both stories and further makes you wonder what the Tokyo story has to do with anything anyway. Also, the Mexico story is arguably more interesting than the rest of the movie and perhaps could have been expanded into its own film more successfully.
» Speaking of contrivance, I am of the opinion that Amy Winehouse’s crackheadedness is a media spectacle masterminded either by herself or by her handlers or both. I’m not even convinced she actually abuses substances but instead has a make-up connection at Jim Henson’s Creature Shop. It’s all just too public, too many photo-ops timed too perfectly apart. Of course, the truth is probably that she really is a crackhead and is just savvy enough to exploit it the whereas junkie musicians traditionally have tried to hide their addictions. There’s just something insincere about it.